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Issues : GE revisions
b. 19-20
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composition: Op. 10 No 2, Etude in A minor
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In none of the authentic sources the notation of the accidentals in the part of the R.H. is entirely correct in these bars – particularly in bar 19. However, the inaccuracies do not pose problems in establishing the correct text. Moreover, in all sources except for Ap the unnecessary category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE , Errors of CLI |
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b. 21
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composition: Op. 10 No 2, Etude in A minor
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We add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 21-22
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composition: Op. 10 No 2, Etude in A minor
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In CLI there are no essential accidentals in the part of the R.H., some of them were also omitted in the base text for FE. In subsequent proofings of FE Chopin, however, added all of them, so final FE (→EE) does not include any errors in this scope. Ap also has a totally correct notation. Lack of the category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 22
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composition: Op. 10 No 2, Etude in A minor
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In CLI the 10th semiquaver is written as an a category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: GE revisions , Cautionary accidentals , Errors of CLI |
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b. 25
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composition: Op. 10 No 2, Etude in A minor
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In FE, before the empty space after the deleted c3 note, a category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |