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Issues : GE revisions
b. 7
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composition: Op. 10 No 2, Etude in A minor
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On the 2nd beat of the bar in the R.H. we give the E minor triad (with a category imprint: Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Authentic corrections of FE |
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b. 8
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composition: Op. 10 No 2, Etude in A minor
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In the manuscripts there are no cautionary naturals before the first two semiquavers in the upper voice. In FE (→GE,EE) there is a sign before e2, while in GE and EE4 a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 8
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composition: Op. 10 No 2, Etude in A minor
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In the main text we give the dim. indication written by Chopin in FEcor (→FE→EE). In GE1 (→GE2→GE3) an extended, dimin. form was used, and in later GE,s the indication was omitted. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 9-13
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composition: Op. 10 No 2, Etude in A minor
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The naturals returning a1, d2 and f2 in bars 9 and 13 are inaccurately written in some of the sources. In CLI they are totally absent, although in bar 13 the sign returning d2 is before the last semiquaver in the lower voice. In FEcor Chopin added them only in bar 9, yet, eventually, he also added the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors of CLI |
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b. 9-13
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composition: Op. 10 No 2, Etude in A minor category imprint: Differences between sources issues: GE revisions |