



Pitch
b. 20
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composition: Op. 10 No 2, Etude in A minor
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The version of CLI and Ap is certainly earlier. Chopin must have deleted e1 already in the base text for FE. The fact that it cannot be a mistake is proved by the fingering digit (2) written under b category imprint: Differences between sources |
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b. 20
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composition: Op. 10 No 2, Etude in A minor
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In the sources there are three enharmonically different forms of this chord. Two of them are inaccurately written: in CLI there are no flats lowering d to d category imprint: Differences between sources; Corrections & alterations issues: Accidentals in different octaves , Chopin's hesitations , Omission of current key accidentals , Accompaniment changes , Enharmonic corrections |
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b. 21-23
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composition: Op. 10 No 2, Etude in A minor
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In CLI and Ap there are no cautionary naturals before bass notes at the beginning of bars 21 and 23: before D in CLI and before D and E in Ap. category imprint: Differences between sources issues: Cautionary accidentals |
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b. 21-22
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composition: Op. 10 No 2, Etude in A minor
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The octave chords in Ap constitute, as it seems, only a transitional modification of the initial concept of seventh chords. Cf. bars 23-24. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |
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b. 21
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composition: Op. 10 No 2, Etude in A minor
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We add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |