



b. 31
|
composition: Op. 10 No 2, Etude in A minor
..
In the main text we give long accents written by Chopin in FEcor. Both signs were clearly distorted in finished FE (→GE,EE). category imprint: Differences between sources issues: Long accents , Inaccuracies in FE , Authentic corrections of FE |
||||||||
b. 31
|
composition: Op. 10 No 2, Etude in A minor
..
In CLI and Ap the 7th and 15th semiquavers are written as a category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Enharmonic corrections , Authentic corrections of FE |
||||||||
b. 31
|
composition: Op. 10 No 2, Etude in A minor
..
Neither in CLI nor in Ap there are cautionary naturals before the 2nd crotchet in the L.H. Chopin would add signs at different stages of the Etude's publication preparations – before B in the base text for FE, before F in a later proofreading. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
||||||||
b. 31
|
composition: Op. 10 No 2, Etude in A minor
..
In the version prepared for printing Chopin decided to shorten the D-d octave in the previous bar and not here. category imprint: Differences between sources issues: Chopin's hesitations |
||||||||
b. 31
|
composition: Op. 10 No 2, Etude in A minor category imprint: Differences between sources; Editorial revisions issues: GE revisions |