Fingering
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b. 75-78
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composition: Op. 10 No 8, Etude in F major
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The fingering of this fragment, marked in a quite detailed way already in A, was specified by Chopin in the last proofreading of FE (→GE). A few further indications to this last version were also added by Fontana in EE. See also bar 78. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 77
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composition: Op. 10 No 8, Etude in F major
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Lack of the fingering digit is most probably a result of an error of the engraver of FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE |
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b. 78
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composition: Op. 10 No 8, Etude in F major
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Chopin added the fingering digit '1' in FED. The digit is also among the fingering added by Fontana in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 80-81
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composition: Op. 10 No 8, Etude in F major
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The fingering added in FE (→GE) in bar 81 – probably by Chopin – despite being totally correct from the pianistic point of view, is, however, contrary to Chopin's fingering of similar figures in bars 26, 77 and particularly 83. Due to this fact, in the main text we give the fingering added in pencil in FES. The fingering of FE was also not included by Fontana in EE, who proposed a solution modeled on Chopin's hints in similar bars, hence compatible with the annotations in FES. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic corrections of FE |
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b. 81
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composition: Op. 10 No 8, Etude in F major
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In EE Fontana repeated in this figure Chopin's fingering given for the 1st group of semiquavers in this bar. category imprint: Differences between sources issues: EE revisions |
