Fingering
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b. 15-23
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composition: Op. 10 No 8, Etude in F major
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The indications added by Fontana in EE describe the same fingering that Chopin indicated in bars 1-9. What is interesting is the fact that Fontana did not faithfully copy the indications from these bars, yet he performed a new edition, in which generally – yet not always – there are fewer digits than for the first time. category imprint: Differences between sources issues: EE revisions |
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b. 19
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composition: Op. 10 No 8, Etude in F major
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In EE Fontana repeated here the fingering from bar 5. category imprint: Differences between sources issues: EE revisions |
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b. 25-28
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composition: Op. 10 No 8, Etude in F major
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Random fingering of A was completed in details by Chopin in a proofreading of FE (→GE,EE). In EE, Fontana added fingering indications also to the 2nd half of bar 27. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 29-36
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composition: Op. 10 No 8, Etude in F major
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Chopin's fingering given in the main text – in bar 29 in the R.H., in bar 30 in the L.H. – was added in a proofreading of FE. It was also reproduced in GE, yet inaccurately – the 3rd digit in bar 29 was omitted. In EE Fontana completed the indications in the entire 8-bar section after similar passages in bars 1-8. category imprint: Differences between sources issues: EE revisions , Errors in GE , Authentic corrections of FE |
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b. 37-40
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composition: Op. 10 No 8, Etude in F major
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The fingering given in the main text – in bars 37-38 – was added by Chopin in a proofreading of FE (→GE,EE). In the latter, Fontana completed it in these and two next bars. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
