Issues : Authentic corrections of FE
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b. 29
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composition: Op. 10 No 8, Etude in F major
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The D minim is most probably the original version, left in A due to distraction. To the main text we adopt the semibreve, being probably a result of Chopin's proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 29-36
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composition: Op. 10 No 8, Etude in F major
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Chopin's fingering given in the main text – in bar 29 in the R.H., in bar 30 in the L.H. – was added in a proofreading of FE. It was also reproduced in GE, yet inaccurately – the 3rd digit in bar 29 was omitted. In EE Fontana completed the indications in the entire 8-bar section after similar passages in bars 1-8. category imprint: Differences between sources issues: EE revisions , Errors in GE , Authentic corrections of FE |
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b. 31-32
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composition: Op. 10 No 8, Etude in F major
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The slurs of A, interpreted literally, are certainly inaccurate. They can be interpreted as separated, as in bars 29-30, or as continuous, as in bars 33-34 (the 2nd slur, started too late, is certainly inaccurate, in turn, the 1st one suggests lack of division on the bar line). In FE (→GE,EE) it was the 1st interpretation that was adopted, which is graphically closer to the real notation of A. It is highly unlikely that Chopin proofread these slurs. In the main text we give preference to the 2nd interpretation, supported with the arguments following from the analysis of the slurring of bars 1-8 and analog. in the entire Etude. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources |
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b. 33-34
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composition: Op. 10 No 8, Etude in F major
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It is hard to determine whether the slurs of FE (→GE,EE), separated contrary to the clear notation of A, are a result of Chopin's proofreading. Therefore, in the main text we give the undoubtedly authentic slur of A. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 33-34
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composition: Op. 10 No 8, Etude in F major
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In the main text we give the pedalling which Chopin added while proofreading FE (→EE). In GE1 the category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
mark was omitted, which was added in subsequent