Issues : Authentic corrections of FE

b. 93-94

composition: Op. 10 No 8, Etude in F major

 in A

FE (→GE,EE)

..

The fact of moving  from bar 93 to 94 is most probably a result of Chopin's proofreading of FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 94

composition: Op. 10 No 8, Etude in F major

..

In A there is no  raising c1 to c1. This patent inaccuracy was corrected in FE2, GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A

b. 94-95

composition: Op. 10 No 8, Etude in F major

Chords in A

FE (→GE,EE)

..

Chopin introduced a different edition of the final chords while proofreading FE (→GE,EE). In bar 95 the notation of A is unclear, as far as the rhythmic values are concerned – f2 (the lowest note in this version) has a minim stem, which is incomprehensible in this context. In A it is also the most probably erroneous c2 in the 2nd chord in the R.H. (changed later in a proofreading of FE to d2) that draws attention. It is probably an unadjusted mark of the still earlier version whose traces are visible in A

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Corrections in A , Authentic corrections of FE

b. 95

composition: Op. 10 No 8, Etude in F major

No pedalling in A

 in FE (→GE,EE)

..

Chopin added the  mark in a proofreading of FE (→GE,EE).

category imprint: Differences between sources

issues: Authentic corrections of FE , No pedal release mark