



b. 74-75
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composition: WN 17, Polonaise in B♭ major
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In JC, the accidentals before the 2nd quavers in the L.H., both the category imprint: Interpretations within context; Source & stylistic information issues: Inaccuracies in JC |
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b. 74
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composition: WN 17, Polonaise in B♭ major
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The pitch and possible hold of the 2nd quaver of the bar raise doubts in the sources. Both in JC and in PE, when read literally, the note is a non-sustained d In the main text we give probably the only authentic version, written faultlessly in EF. category imprint: Interpretations within context; Differences between sources issues: Errors of JC , Errors in PE |
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b. 74-75
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composition: WN 17, Polonaise in B♭ major
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Both the starting point and the ending of the slur in PE give rise to doubts. In the case of the beginning, we leave the literal reading as the only possible option, as the doubts concerning the pitch and a possible hold of the 2nd quaver of the bar would question the reliability of all attempts of interpretation. Moreover, an alternative solution is written in EF. We interpret the ending of the slur of PE by analogy with bar 71. category imprint: Graphic ambiguousness; Differences between sources |
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b. 74
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composition: WN 17, Polonaise in B♭ major
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In JC, there are no cautionary flats before the first quaver in the R.H. category imprint: Source & stylistic information issues: Cautionary accidentals |
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b. 74
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composition: WN 17, Polonaise in B♭ major
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PE lacks the category imprint: Differences between sources issues: Errors in PE |