b. 73-77
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composition: WN 17, Polonaise in B♭ major
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We give the indications of the portato articulation – dots and slurs – in bars 73 and 77, drawn from PE, in the main text. In the entire Polonaise, Chopin marked this manner of performing repeated notes with an utmost care. category imprint: Differences between sources |
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b. 74-75
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composition: WN 17, Polonaise in B♭ major
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The fingering of EF was probably added by Fontana. category imprint: Differences between sources |
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b. 74-75
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composition: WN 17, Polonaise in B♭ major
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In the main text we give precise and clear dynamic markings of PE (ben attaccato is to be found in Variations in B Op. 2, bar 321). The indication in EF was probably added by Fontana. category imprint: Differences between sources |
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b. 74
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composition: WN 17, Polonaise in B♭ major
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The D-d octave in PE must be considered as an improvement in relation to the C-c octave, appearing in previous sources:
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 74-75
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composition: WN 17, Polonaise in B♭ major
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Lack of pedalling markings in bar 75 must be considered as an inaccuracy of notation – cf. analogous bar 71. Therefore, in the main text we propose to complete it. Such pedalling is also featured in EF. category imprint: Differences between sources; Editorial revisions |