Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 76

composition: WN 17, Polonaise in B♭ major

..

PE has a  instead of a  before the 4th note in the L.H., which is a patent error. An identical mistake was committed in PE in bar 16.

category imprint: Interpretations within context; Differences between sources

issues: Errors in PE

b. 77-78

composition: WN 17, Polonaise in B♭ major

No indication in JC & EF

Indications in PE

..

The agogic indications of PE, highlighting the enharmonic modulation in those bars, are almost certainly authentic.

category imprint: Differences between sources

b. 77-78

composition: WN 17, Polonaise in B♭ major

category imprint: Interpretations within context; Differences between sources

issues: Inaccuracies in PE

b. 78

composition: WN 17, Polonaise in B♭ major

No indications in JC & EF

 & leggiero in PE

..

In the main text we consider – same as in the case of other indications – the most probably authentic markings of PE. Cf. also the note related to bars 79-80.

category imprint: Differences between sources

b. 78

composition: WN 17, Polonaise in B♭ major

in JC & EF

E-e in PE

..

In the main text we give the probably later version of PE with an octave.

category imprint: Differences between sources