



b. 34
|
composition: WN 17, Polonaise in B♭ major
..
The ascending motif is provided with slurs only in EF (in the parts of both hands). The ten. indication over the G category imprint: Differences between sources; Editorial revisions |
|||||||||||
b. 35
|
composition: WN 17, Polonaise in B♭ major
..
JC has the erroneous A category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
|||||||||||
b. 35
|
composition: WN 17, Polonaise in B♭ major
..
In the main text we include the indication legatissimo, which is featured only in PE, despite the fact that its meaning in this place is not entirely clear. category imprint: Differences between sources |
|||||||||||
b. 35
|
composition: WN 17, Polonaise in B♭ major
..
The authenticity of the dynamic indications of PE in this bar ( category imprint: Differences between sources |
|||||||||||
b. 35
|
composition: WN 17, Polonaise in B♭ major
..
JC has a cautionary category imprint: Source & stylistic information |