Verbal indications
b. 494
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composition: Op. 39, Scherzo in C♯ minor
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Without clear proofs that Chopin purposefully omitted both indications, we see their lack in FE as the notation's inaccuracy. If they had not been included in [A2] which served as the basis for this edition, this must have been the composer's inattention possibly caused by haste. category imprint: Differences between sources |
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b. 526
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composition: Op. 39, Scherzo in C♯ minor
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It is hard to determine whether lack of in FE was Chopin's conscious alteration to the system of dynamic markings or just one of the inaccuracies of the notation. The latter seems more probable, however in the main text we propose our variant leaving the choice to the performer. category imprint: Differences between sources |
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b. 534-539
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composition: Op. 39, Scherzo in C♯ minor
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Each of the source dynamic markings may be authentic, in each of them, however, there seem to be chance elements - omissions and other errors. Since we are not certain about Chopin's ultimate intention here, for the main text we propose our variant solution. category imprint: Differences between sources |
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b. 540-565
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composition: Op. 39, Scherzo in C♯ minor
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No continuation of the dashed line determining the scope of cresc. on the new page in FE (from b. 542) must be an error. The replacemnent of a typical abbreviation with a full word split into syllables is a characteristic revison of EE. In the main text we present the GC (→GE) version. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 566-567
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composition: Op. 39, Scherzo in C♯ minor
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In FE dashes marking the scope of cresc. in b. 540 were omitted. category imprint: Differences between sources |