



Verbal indications
b. 494
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composition: Op. 39, Scherzo in C♯ minor
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Without clear proofs that Chopin purposefully omitted both indications, we see their lack in FE as the notation's inaccuracy. If they had not been included in [A2] which served as the basis for this edition, this must have been the composer's inattention possibly caused by haste. category imprint: Differences between sources |
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b. 526
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composition: Op. 39, Scherzo in C♯ minor
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It is hard to determine whether lack of category imprint: Differences between sources |
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b. 534-539
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composition: Op. 39, Scherzo in C♯ minor
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Each of the source dynamic markings may be authentic, in each of them, however, there seem to be chance elements - omissions and other errors. Since we are not certain about Chopin's ultimate intention here, for the main text we propose our variant solution. category imprint: Differences between sources |
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b. 540-565
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composition: Op. 39, Scherzo in C♯ minor
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No continuation of the dashed line determining the scope of cresc. on the new page in FE (from b. 542) must be an error. The replacemnent of a typical abbreviation with a full word split into syllables is a characteristic revison of EE. In the main text we present the GC (→GE) version. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 566-567
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composition: Op. 39, Scherzo in C♯ minor
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In FE dashes marking the scope of cresc. in b. 540 were omitted. category imprint: Differences between sources |