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b. 29-45
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composition: Op. 39, Scherzo in C♯ minor
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Cautionary sharps before the octaves on the 2nd beat of bars 29 and 45 were certainly (GE) or most probably (EE) added by revisers. We include them in our main text, as we definitely find them justified. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 31
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composition: Op. 39, Scherzo in C♯ minor
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Staccato signs in that bar and analogous ones occur very irregularly in the sources. For that reason we do not derive from them any general rule to be applied to similar places in the text. In this bar EE and FE have no sings. The wedge that can be seen in GC was reproduced in GE as a dot; another dot was added for the L.H. Cf. bar 113. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions , Wedges |
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b. 31
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composition: Op. 39, Scherzo in C♯ minor
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The version of GE2 is completely arbitrary: the rhythmic variant from that bar does not occur in any of the other sources. There are no reasons to suspect a mistake, either. category imprint: Differences between sources issues: GE revisions |
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b. 33
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composition: Op. 39, Scherzo in C♯ minor
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For our main text we adopt the long accent from GC (→GE). In the same place EE has an ordinary short accent. The accent mark in FE is probably a long one, but it is placed above the upper staff, after the indication ten. category imprint: Differences between sources issues: Long accents |
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b. 33-47
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composition: Op. 39, Scherzo in C♯ minor
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In GC, bars 33-90 are numbered from 1 to 58. Those numbers are later used for abbreviated marking of bars 375-432, that are the repetition of bars 33-90. category imprint: Source & stylistic information |
