Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 422-423

composition: Op. 39, Scherzo in C♯ minor

f tied in EE & FE

No tie in GC (→GE)

Our variant suggestion

..

Since both source versions - f tied or repeated in b. 423 - are justified to some extent by the sources and the sound of music we present our variant solution.

category imprint: Differences between sources

b. 423-424

composition: Op. 39, Scherzo in C♯ minor

No tie in EE

f tied in GC (→GE) & FE

..

No tie on f in EE must most certainly be an error.

category imprint: Differences between sources

issues: Errors in EE

b. 423-432

composition: Op. 39, Scherzo in C♯ minor

..

In FE the dyads in LH in bars 423-424 and 431-432 are not split into two voices, similarly in bars 81-82 or 89-90.

category imprint: Differences between sources

b. 423

composition: Op. 39, Scherzo in C♯ minor

Short accent in EE

 in GC (→GE)

No mark in FE

Our suggestion

..

For the main text we adopt a long accent form b. 81 in EE.

category imprint: Interpretations within context; Differences between sources

issues: Long accents

b. 428

composition: Op. 39, Scherzo in C♯ minor

Octave c-c1 in EE

cin GC (→GE) and FE

..

Octave in EE may be an authentic version.

category imprint: Differences between sources