Rhythm
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b. 129
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composition: Op. 39, Scherzo in C♯ minor
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Both versions of the rhythm in this bar are probably authentic. Identical differences in rhythm between those sources also occur in analogous bars 47 and 389. As the main text we give the version of FE, perhaps the latest. The same version was also introduced in GE2. category imprint: Differences between sources issues: GE revisions , Inserted rest |
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b. 131-132
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composition: Op. 39, Scherzo in C♯ minor
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Absence of a tie sustaining f sharp in FE is most probably an error. category imprint: Differences between sources issues: Errors in FE |
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b. 133-135
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composition: Op. 39, Scherzo in C♯ minor
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The tie sustaining f sharp1 in bars 133-134 is missing from EE. #KG (→GE) has neither that tie nor the next one (in bars 134-135). These are definitely errors, as we can see from the presence of relevant ties in analogous bars 141-142 and 149-151. category imprint: Differences between sources |
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b. 134-135
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composition: Op. 39, Scherzo in C♯ minor
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The omission to tie the crotchet f sharp in EE is probably an error – cf. bars 142-143 and 150-151, in which the note is either tied or absent altogether. category imprint: Differences between sources issues: Errors in EE |
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b. 139-142
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composition: Op. 39, Scherzo in C♯ minor
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EE does not have a single tie in the R.H. part ion those bars. This is doubtless due to oversight on the part of the engraver (or a copyist, if a copy was used as a base text for EE). category imprint: Differences between sources issues: Errors in EE |
tied in 
