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b. 131

composition: Op. 24 No. 4, Mazurka in B♭ minor

..

The term calando was placed between the staves in EE, which does not correspond to Chopin's notation in A (→GEFE).

category imprint: Differences between sources

issues: EE revisions

b. 131

composition: Op. 24 No. 4, Mazurka in B♭ minor

The accent of A interpreted in context.

 Literal reading of the accent in A (→GEFEEE)

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The accent mark in A is written inaccurately: the short mark is put after the note to which it refers. In GE (→FEEE) the accent was understood as a short one, but in this context the use of a long accent by Chopin seems more probable. 

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

b. 132-136

composition: Op. 24 No. 4, Mazurka in B♭ minor

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Originally in A bars 132 and 136 were marked in an abbreviated manner as repetitions of bars 131 and 135.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Abbreviated notation of A

b. 133

composition: Op. 24 No. 4, Mazurka in B♭ minor

A long accent in A

A short accent in GE (→FEEE)

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 137

composition: Op. 24 No. 4, Mazurka in B♭ minor

A short accent in A (→GEFEEE)

Our proposition

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The accent that can be seen in A (→GEFEEE) must be considered a short one. However, if we compare that bar with bars 121, 127 and 133, in which A clearly has long accents, we begin to suspect that the accent mark may have been written by Chopin in a hasty and inaccurate manner. 

category imprint: Interpretations within context

issues: Long accents