b. 121
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composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: Long accents |
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b. 125-126
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slur in A begins on a semiquaver, along with the melodic narrative. In GE1 (→FE→EE) it begins over the dotted crotchet, and in GE2 (→GE3) it starts at the beginning of the bar. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 125
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The type of accent intended by Chopin is not clear. A long accent seems more probable when we compare that bar to the analogous bar 117. GE (→FE→EE) have a short accent here. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 127-128
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A (→GE) has triads as the 2nd and the 3rd crotchets of those bars, although in the first triad in bar 127 the note c1 is practically invisible in the manuscript. When proofing FE, Chopin removed the middle notes of the triads leaving only the sixths. That corrected version was repeated in EE1 (→EE2). EE3 returned to the version of GE1 with the full triads (the omitted note b flat on the 2nd beat of bar 128 must be a mistake). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Uncertain notes on ledger lines |
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b. 127
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The indication written in A as ritenuto was shortened to riten. in GE (→FE→EE). In EE, the abbreviation was placed between the staves. category imprint: Differences between sources issues: EE revisions , GE revisions |