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Issues : Inaccuracies in GE
b. 13-14
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A, the phrase is covered with a single slur (up to the 2nd beat of bar 14); this version is correctly reproduced in GE2 (→GE3). Meanwhile, in GE1 the notation is ambiguous, as the slur in the line-ending bar 13 reaches the last quaver only. This was the reason why in FE (→EE) the motif in bar 14 was embraced with a separate slur. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Corrections in A |
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b. 18-19
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE |
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b. 19
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The whole-bar pedalling of A was omitted in GE1 (and restored back in GE2 and GE3 in accordance with A). When proofing FE Chopin restored pedalling in that bar, yet he placed the asterisk category imprint: Differences between sources; Corrections & alterations |
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b. 21-27
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 21
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In the main text we give the pedalling of A and #Wn2 (→GE3). In GE1, the pedal up marking category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE |