b. 21-27
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The marks in bars 22-23 and 27, entered in A after the 3rd crotchet (at the end of the bar) are placed under the 3rd crotchet in GE1 (→FE→EE). In GE2 (→GE3) they were shifted in order to better reflect the notation of A. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 21
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In GE1 (→FE) Chopin's indication dolce was abbreviated to dol. What is more, in all the editions it was placed - unlike in A – between the staves . category imprint: Differences between sources issues: Abbreviated indications |
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b. 21
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In the main text we give the pedalling of A and #Wn2 (→GE3). In GE1, the pedal up marking was placed under the 3rd crotchet of the bar, against the notation of A but in line with the tendency to adjust all the elements of the notation to rhythmic structures. In FE (→EE1→EE2) the pedalling was omitted. The missing pedal markings were supplemented in EE3 in the version consistent with A. Cf. bars. 22-27. category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE |
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b. 21
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composition: Op. 24 No. 4, Mazurka in B♭ minor category imprint: Differences between sources issues: GE revisions |
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b. 23
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In A it is not quite clear which of the staccato signs Chopin had in mind: a dot or a wedge. In our view, a dot is much more likely. The sign was omitted from GE1 (→FE→EE), and put back in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Wedges |