Articulation, Accents, Hairpins
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b. 90
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composition: Op. 24 No. 2, Mazurka in C major
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An evident wedge in A was reproduced in GE (→FE) as a dot (in GE, wedges were not used even once throughout the Mazurkas Op. 24). In EE, the sign was omitted. category imprint: Differences between sources issues: Inaccuracies in GE , Errors in EE , Wedges |
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b. 92
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composition: Op. 24 No. 2, Mazurka in C major
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All the sources have staccato marked here with a dot. As in A Chopin used wedges in all the three neighbouring similar phrases, we consider this single dot to be an inaccuracy of notation. category imprint: Interpretations within context issues: Wedges |
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b. 93-95
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composition: Op. 24 No. 2, Mazurka in C major
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The interpretation of the category imprint: Interpretations within context issues: Long accents |
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b. 94
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composition: Op. 24 No. 2, Mazurka in C major
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The wedge that can be seen in A above the crotchet on the 2nd beat of the bar was omitted from GE1 (→FE→EE). The correction was made in GE2 (→GE3), i.e. a dot was added. category imprint: Differences between sources issues: Errors in GE , GE revisions , Wedges |
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b. 99
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composition: Op. 24 No. 2, Mazurka in C major
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The evident staccato sign in A, which in our opinion should be read as a wedge, was omitted from GE1 (→FE→EE1→EE2). A dot was added in GE2 (→GE3) to rectify that error. EE3 has an accent added instead, probably by analogy to bars 15 and 19. We base our main text on A. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions , Wedges |
marks present in bars 93 and 95 in 
