



Slurs
b. 83-84
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composition: Op. 24 No. 2, Mazurka in C major
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The moment when the slur ends is not quite clear in A. For the reasons discussed in the note to bars 79-80 we consider it much more probable that Chopin intended the slur to reach B on the 2nd beat of the bar. This is also the interpretation given by GE (→FE→EE). category imprint: Graphic ambiguousness; Interpretations within context issues: Inaccurate slurs in A |
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b. 83-86
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composition: Op. 24 No. 2, Mazurka in C major
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Both the slur end in bar 84 (the last one in the line) and the slur beginning in bar 85 are notated in A in the manner that indicates uninterrupted slurring. Yet in GE (→FE→EE) those slurs were reproduced as separate ones, which - considering consistent two-bar slurs in bars 75-82 and 87-88 - may be deemed acceptable. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Inaccurate slurs in A |
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b. 84-85
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composition: Op. 24 No. 2, Mazurka in C major
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In A (→GE→FE), the slur at the end of bar 84 does not match the slur in bar 85 that opens a new system. The slur in bar 85 is drawn as a new one, not a continuation. This inaccurate notation may be interpreted in two ways:
In EE1 (→EE2) the slurring discrepancy was resolved by omitting the slur at the end of bar 84. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccurate slurs in A |
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b. 90
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composition: Op. 24 No. 2, Mazurka in C major
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In the sources, the slur ends above the 2n quaver of the bar. This probably results from the inaccurate notation of A. category imprint: Interpretations within context; Editorial revisions issues: Inaccurate slurs in A |
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b. 92-94
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composition: Op. 24 No. 2, Mazurka in C major
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In bars 92 and 94, despite the unambiguous notation of A, in GE (→FE→EE) the slur end was placed earlier, above the 2nd quaver of the bar. Cf. the note to bar 6. category imprint: Differences between sources issues: Inaccuracies in GE |