Pitch
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b. 102-104
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composition: Op. 24 No. 2, Mazurka in C major
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In bars 102-103, the sources have two different versions of the R.H. part. In A (→GE) the text almost entirely follows the version found in analogous bars 18-19 and 50-51, the only difference being the presence of the staccato sign on the 2nd beat of bar 103 – a wedge in A, a dot in GE. When correcting FE (→EE), Chopin varied the last repetition of that phrase filling both bars with uniform quaver movement. Cf. bar 98. category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 111-112
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composition: Op. 24 No. 2, Mazurka in C major
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When proofing FE →EE, Chopin changed the version recorded in A (→GE1→GE2), deciding against the subtle differentiation of that detail. The version that retained the regularity of the chord progression was also introduced in GE3. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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