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WN 55, Waltz in F minor

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b. 39-40

composition: WN 55, Waltz in F minor

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All autographs and CX and CY include an identical phrase mark (in AG, there is a letter of the repetition of bar 23 = phrase mark analogous to bar 23). In CC, there is no phrase mark in this place. 

category imprint: Differences between sources

b. 40

composition: WN 55, Waltz in F minor

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In the F sources, the 1st beat in the L.H. is prolonged to a minim (in FC and FEF) and to a dotted minim (in PE and GEF).

category imprint: Differences between sources

b. 40

composition: WN 55, Waltz in F minor

 
 
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The enhancement of the accompaniment in F, by adding a c1 to the fourth, must be Fontana's revision.

category imprint: Differences between sources

b. 41

composition: WN 55, Waltz in F minor

 
 
 
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F has two equal quavers at the end of the bar, contrary to the autographs and CX and CY, which feature a dotted rhythm. Moreover, in PE, the last quavers are beamed separately.

category imprint: Differences between sources

b. 41

composition: WN 55, Waltz in F minor

 
 
 
 
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In three autographs, there is a rest and a d1-e1 second. There is no rest in AE (→CX) and CC, but a doubled d1-e1 second. AG features the version of bar 25, which is then copied by CY - an additional b added to the d1-e1 seconds. The F sources include the same chords as in bar 25. 

category imprint: Differences between sources