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b. 38-46

composition: WN 55, Waltz in F minor

..

In AG, bars 38-46 are marked with letters from to i as a repetition of bars 22-30. Additionally, in bar 46 there is a different part of the L.H. than in analogous bar 30. 

category imprint: Source & stylistic information

issues: Abbreviated notation of A

b. 38

composition: WN 55, Waltz in F minor

 
 
 
 
 
 

category imprint: Differences between sources

issues: Terzverschreibung error

b. 38

composition: WN 55, Waltz in F minor

 
 
 
..

The autographs and the majority of the copies feature f-dsixths on the 2nd and 3rd beat in the L.H. The F sources, on the contrary, feature triads in this place: FC - doubly repeated f-a-d1, whereas in PE, FEF and GEF the second chord is e-g-d1. The L.H. in bar 22 looks the same. Additionally, the first beat in the L.H. in FC is extended - the bottom voice, B - to a minim, whereas in PE, FEF and GEF - to a dotted minim.

category imprint: Differences between sources

b. 38

composition: WN 55, Waltz in F minor

 
 
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The crescendo hairpin is preset only in FEF and GEF and was most probably added by Fontana.

category imprint: Differences between sources

b. 39

composition: WN 55, Waltz in F minor

 
 
 
..

In AK and in the editions (PE, FEF and GEF), the e on the 1st beat in the L.H. was prolonged to a dotted minim. In FC, there is a minim.

category imprint: Differences between sources