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WN 55, Waltz in F minor

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b. 34-35

composition: WN 55, Waltz in F minor

 
 
 
 
 
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At the beginning of the bar, in the majority of the autographs and in CC there is a d2. The remaining sources, AK and F, include an f1-d2, sixth; in F, it is combined with the sixth from the previous bar with slurs. In the majority of the sources, the bar is based on a doubly dotted rhythm (with a semiquaver on the last beat); it is only in CC and FC where it is a dotted rhythm with a quaver.
In CY, the copyist overlooked the second dot next to the crotchet of the dotted rhythm; however, the last value is a semiquaver; therefore, in the edition we suggest a doubly dotted crotchet. 

category imprint: Differences between sources; Editorial revisions

b. 35

composition: WN 55, Waltz in F minor

 
 
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In AG, there is a doubly repeated g-c1 fourth, whereas in the remaining sources, it was enhanced by an octave doubling of g - addition of g1. 

category imprint: Differences between sources

b. 35

composition: WN 55, Waltz in F minor

 
 
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The accent in FEF and GEF must have been added by Fontana.

category imprint: Differences between sources

b. 35

composition: WN 55, Waltz in F minor

 
 
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The diminuendo dynamic marking appears only in FEF and GEF and must have been added by Fontana.

category imprint: Differences between sources

b. 36

composition: WN 55, Waltz in F minor

 
 
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The short accent is present only in FEF and GEF and must have been added by Fontana.

category imprint: Differences between sources