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WN 55, Waltz in F minor

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b. 12

composition: WN 55, Waltz in F minor

 
 
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The short accent in FEF and GEF was most probably originated by Fontana.

category imprint: Differences between sources

b. 12

composition: WN 55, Waltz in F minor

..

In F, the 1st beat in the L.H. is prolonged to a dotted minim.

category imprint: Differences between sources

b. 13

composition: WN 55, Waltz in F minor

 
 
 
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The majority of the sources include the doubly repeated a-d1 fourth. In AK and F, there is a different version of the L.H.: on the 2nd beat - a-b-d1 and on the 3rd one - rest in AK, in F there is a double a-b-f1 and the 1st beat is prolonged to a dotted minim - it may be an editorial revision.

category imprint: Differences between sources

b. 13

composition: WN 55, Waltz in F minor

 
 
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AK has a different notation - there is a c3 crotchet tied with a c3 quaver instead of a dotted crotchet.

category imprint: Differences between sources

b. 13

composition: WN 55, Waltz in F minor

 
 
 
 
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The crescendo dynamics in CC may be authentic - we give it as editors' suggestion. FEF and GEF include a forte marking, rather inauthentic.

category imprint: Differences between sources; Editorial revisions