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b. 11
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composition: WN 55, Waltz in F minor
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In AO and AK, the composer diversified the melodic line by adding an ornament in the form of three grace notes. The remaining sources do not include this ornament in the written-out form. category imprint: Differences between sources |
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b. 11
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composition: WN 55, Waltz in F minor
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The variant of CC with an e category imprint: Differences between sources |
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b. 11
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composition: WN 55, Waltz in F minor
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Diversification of a motif by breaking up longer values - in this case by a quaver leap an octave down - is very characteristic of Chopin. category imprint: Differences between sources |
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b. 12
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composition: WN 55, Waltz in F minor
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In the autographs, there are 3 different versions of the L.H., differing in the topmost element of the chords on the 2nd and 3rd beats of the bar: category imprint: Differences between sources |
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b. 12
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composition: WN 55, Waltz in F minor
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Due to the previously appearing natural next to d2, next to the group of grace notes at the beginning of the bar, AO does not include a cautionary natural before d2. The remaining sources do feature a natural in this place, whereas AK even for a second time in this bar. category imprint: Differences between sources issues: Cautionary accidentals |
2 as the last quaver most probably results from inaccuracy of copying; its authenticity is questionable. The remaining sources feature an f2 in this place.
