Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 7

composition: WN 55, Waltz in F minor

 
 
..

The diminuendo hairpin is present only in FEF and GEF, and it may be Fontana's edition.

category imprint: Differences between sources

b. 7

composition: WN 55, Waltz in F minor

..

We add a cautionary flat next to e2 - like in PE.

category imprint: Differences between sources; Editorial revisions

b. 8

composition: WN 55, Waltz in F minor

 
 
..

In AK, the first quaver in the R.H. is written separately. Such a way of notation was certainly aimed at highlighting the ending of the music phrase and the beginning of a new one - leading to the main theme of the waltz in a new key - parallel - in bar 9.

category imprint: Interpretations within context; Differences between sources

b. 8

composition: WN 55, Waltz in F minor

..

In CC, there is no natural next to e1 - it is one of a few mistakes-oversights of the copyist in that source.

category imprint: Differences between sources; Editorial revisions

b. 8

composition: WN 55, Waltz in F minor

 
 
..

The crescendo hairpin is only in FEF and GEF. It must be Fontana's addition.

category imprint: Differences between sources