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Slurs

b. 43-44

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to b. 44 in A

Slur to f3 in GE (→FE,EE,IE)

..

The shorter GE slur (→FE,EE,IE) resulted from a typical, routine revision of GE. Similarly, in bars 47-48.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 47-48

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to b1 in A

Slur to a1 in GE (→FE,EE,IE)

..

As 4 bars before, in GE (→FE,EE,IE) the slur was shortened so that it does not go beyond the bar line.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 51-52

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to b. 52 in A

Slur to d4 in GE (→FE,EE,IE)

..

As in the two previous analogous situations, in GE (→FE,EE,IE) the slur was arbitrarily shortened, as it was led only to the end of the bar.

category imprint: Differences between sources

issues: GE revisions

b. 51-52

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur in A

No slur in GE (→FE,EE,IE)

..

The missing slur in GE (→FE,EE,IE) is almost certainly due to an oversight by the engraver of GE.

category imprint: Differences between sources

issues: Errors in GE

b. 57

composition: (Op. 4), Sonata in C minor, Mvt IV

No slur in A (→GEEE,IE)

d3-c3 slur in FE

..

The additional FE slur could be a mistake or an erroneous revision – we know of similar situations in which engravers would add an allegedly missing slur/tie when a few notes of adjacent chords are combined by authentic slurs/ties, e.g. in the Mazurka in D, Op. 33 No. 3, bars 8-9 and 24-25 or in the Mazurka in B, Op. 41. No. 2, bars 4-5 and analog.
See also bar 61.

category imprint: Differences between sources

issues: FE revisions