mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt IV

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b. 98

composition: (Op. 4), Sonata in C minor, Mvt IV

  in A

Longer   in GE (→FE,EE,IE)
..

In the main text we keep the range of the   hairpins visible in A. In GE (→FE,EE,IE) the range of both marks was adjusted to the quaver beams, which, in this case, does not significantly influence the meaning of these marks.

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 98-99

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in EE1, 4 digits

Fingering in EE2, 5 digits
..

In the main text, we do not include the inauthentic L.H. fingering added in EE1 and amended in EE2.

category imprint: Differences between sources

issues: EE revisions

b. 99

composition: (Op. 4), Sonata in C minor, Mvt IV

g tied in A (→GE→FE,IE) & EE2

g repeated in EE1
..

The missing tie to g must be a mistake by the engraver of EE1, corrected in EE2.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 99-100

composition: (Op. 4), Sonata in C minor, Mvt IV

Slur to b. 100 in A

Slur to end of b. 99 in GE

Slur to f in FE, EE & IE
..

In GE the ending of the slur in bar 99 (at the end of a line) can be considered a tenuto slur. However, it is most probably an inaccuracy – the slur was either supposed to reach bar 100, as it is in A, or the f crotchet, as it was unanimously interpreted in the remaining editions.

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies , Tenuto slurs ,

b. 102-103

composition: (Op. 4), Sonata in C minor, Mvt IV

No fingering in A (→GE→FE,IE)

Fingering in b. 103 in EE1

Fingering in b. 102-103 in EE2
..

In the main text, we do not include the inauthentic L.H. fingering added in EE1 and amended in EE2.

category imprint: Differences between sources

issues: EE revisions