b. 345-347
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composition: (Op. 4), Sonata in C minor, Mvt IV
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Both A slurs clearly reach the beginning of the next bar. Therefore, the shorter ones in GE (→FE,EE,IE) must be considered a revision. category imprint: Differences between sources issues: GE revisions |
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b. 345
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A the to the 2nd and 6th L.H. quavers are missing. The accidentals were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 345-346
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: Errors in GE |
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b. 345-350
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we reproduce the dots visible over the e2 crotchet in bar 345 and f2 in bar 350 as staccato marks. However, this interpretation is uncertain, particularly in bar 350, in which the mark is not in line with the note; actually, it is quite far from it, hence it is likely that it is just one of the accidental ink flecks, which are numerous in A. None of these dots were included in GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccuracies in A |
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b. 347-348
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there are no accidentals defining f, b1, e in bar 347 and a1 in bar 348. In GE (→EE,IE) only the marks in bar 347 were added, while the correct text is present only in FE. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE , Errors in IE |