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b. 276
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we include the cautionary naturals to the first notes in the parts of both hands (D-d and c2) added in GE (→FE,EE,IE). category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 276
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 276-277
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 278
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A in the 2nd half of the bar there are no accidentals in the R.H. part. The omitted flats to d category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 279
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we keep the unconventional position of the ten. indication in A. Chopin most probably wanted to emphasise the need to hold, particularly, the e note, which does not stem from the GE notation at all (→FE,EE,IE). category imprint: Differences between sources issues: Inaccuracies in GE |
to the penultimate quaver (f
3) was omitted; it was added in 
3 and d
