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b. 348
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Editorial revisions |
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b. 348
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we add cautionary accidentals to the 1st chord in the bar, a category imprint: Editorial revisions |
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b. 349
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The accent entered into A is slightly longer than the previous ones (see the note on bars 341-346), hence we interpret it as a long accent. The absence of the mark in the editions probably resulted from an oversight by the engraver of GE. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Errors in GE , Inaccuracies in A |
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b. 350-351
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The range of the A slur is musically unjustified – Chopin stopped writing it to avoid the clash with the last quavers in the bar or the category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 352
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The second slur in the bottom voice is barely visible in A – the beginning blends in with the stave, while the ending is probably inaccurate, as there is no reason for the range of these two slurs to differ. Due to the above, in the main text we standardise them after the first one. In GE (→FE,EE) it was only the first slur that was reproduced (inaccurately). In IE in the 2nd half of the bar a slur modelled after the 1st half was added. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , |
to a
1 and a 
to f2.
mark (see the 
