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b. 252-253
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic R.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 253
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the accent mark is not very long in itself, yet due to the quite dense notation, it fills more or less half the length of the section between the chord and the bar line, which allows us to consider it a long accent. This is how it was reproduced in GE. The short accents in the remaining editions are inaccuracies by the engravers. See also the notes on bars 249-253 and 254-256. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE , EE inaccuracies , |
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b. 253-257
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic L.H. fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 254
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 254-256
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composition: (Op. 4), Sonata in C minor, Mvt IV
category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , EE inaccuracies , |
to the 1st quaver. The accidental was also added in 
