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b. 305
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composition: (Op. 4), Sonata in C minor, Mvt IV
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When interpreted literally, the A slur encompasses more or less the notes ranging from F1 to c; it is undoubtedly inaccurate in this form. In this situation it seems natural to lead it to the end of the bar, yet in the main text we include the interpretation adopted by GE (→FE,EE,IE), in which the slur starts from the 2nd quaver, as Chopin clearly wrote it in a similar context in bar 293 and in the entire group of similar figures in bar 154, 162-163, 166-167, 170-171. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccurate slurs in A , GE revisions |
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b. 306-310
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In bar 306 and 310 the omission of the fragment of the crotchet stem attaching a category imprint: Differences between sources issues: GE revisions |
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b. 306
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in bar 294, the bottom voice third in A is a semibreve, which is a mistake. It was corrected in GE (→FE,EE,IE). In bar 310 all sources include the correct text. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 308
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A there is no category imprint: Interpretations within context; Differences between sources |
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b. 309
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The accent in A (→GE→FE) can be interpreted either as a short accent or a long one. We adopt the latter due to the two clearly long accents in analogous bar 293 and 305. In EE and IE they were considered short accents. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE inaccuracies , Inaccuracies in A , |
in 
to the 2nd quaver (d
