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b. 187-195
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In A in the ascending passages in bar 187, 193 and 195, Chopin wrote accidentals only in the first half of each of the bars. All the necessary accidentals further on in the passages were added in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 188
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in bar 5, in A the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Errors of A |
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b. 188-189
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The analogous L.H. sequences in bars 187-188 and 188-189 are most probably supposed to be performed identically. Due to this reason, in the main text we suggest adding a slur (or a tie?) to c1, as marked by Chopin in bars 5-6. category imprint: Editorial revisions issues: Errors of A |
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b. 188-189
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The absence of the first 2 wedges in FE is probably due to the engraver's inattention. category imprint: Differences between sources issues: Errors in FE |
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b. 190
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composition: (Op. 4), Sonata in C minor, Mvt IV
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As in bar 7, in the 2nd half of the bar A does not include any accidentals, while the sharps raising all f notes (in various octaves) to f category imprint: Differences between sources issues: GE revisions |
restoring B
(the bottom note of the chord in the middle of the bar) is missing. Chopin's patent mistake in this harmonic context was corrected in 
2, f
), f1, f suggested by the editors