|
b. 176
|
composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Differences between sources issues: GE revisions |
|||||
|
b. 177
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The long accent of A was reproduced in GE as a mark whose range is in between the short and the long one, hence it is unclear whether it should be short or long. However, it is longer than typical short accents, e.g. in bar 153, hence we consider it a long accent. In the remaining editions it was interpreted as a short accent. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE |
|||||
|
b. 179
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text we include the category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark |
|||||
|
b. 179-180
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
The absence of all slurs between the chords in GE (→FE,EE,IE) is most probably due to inattention of the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |
|||||
|
b. 179
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
In A the 2nd half of the bar is devoid of accidentals in the R.H. part. The inaccuracy, typical of this manuscript, was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
in 
