



b. 379-381
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 383-384
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The typical position (after a note) of the three marks resembling accents visible in A allows us to consider them long accents, although the marks themselves are closer to short accents. This is how they were reproduced in GE (→EE,IE). It is difficult to say why the first two accents were changed to short ones in FE. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in FE |
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b. 383
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text we provide the A tie, clearly at the pitch of c2. The fact that in GE (→FE,IE) it was assigned to the middle notes of the chords (f2-e category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 383-384
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composition: (Op. 4), Sonata in C minor, Mvt IV
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In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 384-385
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composition: (Op. 4), Sonata in C minor, Mvt IV
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The slurs/ties added in FE and EE, although certainly inauthentic, most probably correspond to the performance intended by Chopin. category imprint: Differences between sources issues: EE revisions , EE inaccuracies , FE revisions |