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b. 374
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Errors repeated in EE |
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b. 376-378
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In bar 376 and 378 in the main text we keep the notation of the A slurs, as the comparison with analogous bar 10, 12 and 193 shows that Chopin – although he did not mark it here – most probably envisioned the initial octave to be performed staccato. However, one can understand the engraver of GE, who considered the A notation to be another case of inaccurate slurs (particularly the slur in bar 378, the ending of which is certainly inaccurate). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions |
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b. 376-378
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composition: (Op. 4), Sonata in C minor, Mvt IV category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 376
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
In the main text, we do not include the inauthentic fingering added by EE. category imprint: Differences between sources issues: EE revisions |
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b. 377-378
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composition: (Op. 4), Sonata in C minor, Mvt IV
..
As in bars 194-195, GE (→FE,EE,IE) convey a simplified and inaccurate picture of the A dynamic markings. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , GE revisions |
raising b
to b was overlooked. The manifest error was left uncorrected in 
& cresc. in 