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b. 368

composition: (Op. 4), Sonata in C minor, Mvt IV

No sign in sources

[] suggested by the editors

..

The suggested position of the  mark, overlooked in the sources, is justified by an analogy with bar 185 (cf. also bar 266, 268 and 270).

category imprint: Editorial revisions

b. 368

composition: (Op. 4), Sonata in C minor, Mvt IV

in A

Longer  in GE (→FE,EE,IE)

..

First editions would often extend Chopinesque  hairpins (as part of revision). In the main text we reproduce the mark after A, although in this case the version of the editions can be considered equal – the mark certainly concerns the entire passage (cf. bar 370).

category imprint: Differences between sources

issues: Scope of dynamic hairpins , GE revisions

b. 370

composition: (Op. 4), Sonata in C minor, Mvt IV

..

In A the accidentals are only next to the first two quavers in the bar. The typical inaccuracy was clarified in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 371

composition: (Op. 4), Sonata in C minor, Mvt IV

..

As in bar 5, in A there is no  restoring B on the bottom note of the chord in the middle of the bar. Chopin's patent mistake, considering the context, was corrected in GE (→FE,EE,IE).

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , GE revisions , Errors of A

b. 371-372

composition: (Op. 4), Sonata in C minor, Mvt IV

No marks in sources

Wedges suggested by the editors

..

In the main text we suggest adding wedges over the first notes of the quaver groups after analogous bars 5-6 and 188-189.

category imprint: Editorial revisions