



b. 34
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composition: (Op. 4), Sonata in C minor, Mvt III
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As in bar 16, the literally interpreted b category imprint: Graphic ambiguousness; Editorial revisions issues: Inaccuracies in A |
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b. 34-35
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composition: (Op. 4), Sonata in C minor, Mvt III
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In the main text we omit the inauthentic fingering added in EE (in both impressions). category imprint: Differences between sources issues: EE revisions |
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b. 35
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composition: (Op. 4), Sonata in C minor, Mvt III
..
In the Chopinesque notation of the 3rd quintuplet d category imprint: Editorial revisions issues: Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Errors repeated in IE |
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b. 35
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composition: (Op. 4), Sonata in C minor, Mvt III
..
In the main text we keep the A version, as, contrary to the opinion of the engraver or the reviser of GE (→FE,EE,IE), it does not contain a mistake – the value of a quaver means that e category imprint: Differences between sources issues: GE revisions |
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b. 35
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composition: (Op. 4), Sonata in C minor, Mvt III
..
The notation of the sextuplet that ends the bar does not contain a mistake in A, hence we keep it in the main text, although it is not entirely clear why the two a category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in A |