Page: 
Source: 
p. 1, b. 1-17
p. 1, b. 1-17
p. 2, b. 18-31
p. 3, b. 32-42
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 16

Crotchet b in A (literal reading→GEFE,EE,IE)

Quaver b in A, contextual interpretation

In A b, the top note of the tenth on the 5th quaver, is not attached to the G quaver, as a result of which it seems that it is separated from the quaver figuration and that it is a crotchet. This is how it was reproduced in GE (→FE,EE,IE). According to us, it is a misunderstanding – cf., e.g. the similarly inaccurately written R.H. sixths in bar 13.
The same applies to bar 34.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Editorial revisions

issues: Inaccuracies in A

notation: Rhythm

Missing markers on sources: A, GE1, IE1, FE1, EE1, EE2