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b. 40
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composition: (Op. 4), Sonata in C minor, Mvt III
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According to us, leaving the third semiquaver from the end without an accidental, which results in d, is Chopin's mistake. It is true that e category imprint: Differences between sources; Editorial revisions issues: Omissions to cancel alteration , Errors of A , FE revisions , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE |
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b. 41
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composition: (Op. 4), Sonata in C minor, Mvt III
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The A slurs are poorly visible, as a result of which the GE engraver could have overlooked or even ignored them. In the main text we lead the bottom slur from d, in accordance with the notation in bar 1, undoubtedly more careful. category imprint: Differences between sources; Editorial revisions issues: Inaccurate slurs in A , Errors in GE |
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b. 42
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composition: (Op. 4), Sonata in C minor, Mvt III
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Providing the L.H. octave with an arpeggio was an arbitrary decision of GE (→FE,EE,IE). According to us, this version, however, may be considered an acceptable variant. category imprint: Differences between sources issues: GE revisions |
on the last semiquaver could be regarded as a resolution of this d note; however, it would require a particular performance, marked with a respective indication, e.g.: 
. Nevertheless, even when performed as such, this version does not fit with the smorzando and the ongoing tensions' release; moreover, this version unnecessarily anticipates a much nobler effect used by Chopin in the next bar.
