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b. 29
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In A Chopin omitted the naturals to e2 and e3 and the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 30
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In A it is unclear whether the two staccato marks are to be interpreted as dots or wedges. We assume that they are dots due to the clear dot in the preceding bar. This is how the second mark – the first one was omitted – was interpreted in GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Wedges |
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b. 30
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In A the wedge over the R.H. crotchet on the 2nd beat of the bar blends in with the line of the octave sign, which almost certainly was the reason this mark was omitted in GE (→FE,EE,IE). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccuracies in A |
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b. 31-32
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composition: (Op. 4), Sonata in C minor, Mvt II
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The absence of the ties to the G-g octave is most probably due to a mistake by the GE engraver (→FE,EE,IE). category imprint: Differences between sources issues: Errors in GE |
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b. 31-32
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In the main text we omit the additional slurs over the first two triplets – cf. General Editorial Principles, p. 16. On the other hand, in GE (→FE,EE,IE) the longer, top slur was omitted. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Errors in GE , Triplet slurs |
to e
3. The patent inaccuracies were corrected in 
