mUltimate Chopin

(Op. 4), Sonata in C minor, Mvt II

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b. 14

composition: (Op. 4), Sonata in C minor, Mvt II

Accent in A (→GE→IE)

No mark in FE & EE
..

The easiest explanation for the missing accent in FE and EE would be the engravers' oversight.

category imprint: Differences between sources

issues: Errors in FE , Errors in EE

b. 14-15

composition: (Op. 4), Sonata in C minor, Mvt II

..

In A the  to the bottom note of the 1st L.H. octave is missing. The patent inaccuracy was corrected in GE (→FE,EE,IE). Moreover, cautionary flats were added to the B1-B octave in bar 15, which we include in the main text.

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 15

composition: (Op. 4), Sonata in C minor, Mvt II

 before 3rd crotchet in A

 under 3rd crotchet in GE (→IE)

 after 3rd crotchet in FE & EE
..

In the main text we reproduce the  mark after A. In GE (→IE) it was moved under the 3rd crotchet, while in FE and EE even further.
The same applies to bar 47. 

category imprint: Differences between sources

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 17

composition: (Op. 4), Sonata in C minor, Mvt II

Wedge in A (→GE→FE,IE)

No mark in EE
..

The missing wedge is most probably due to an oversight by the EE engraver.

category imprint: Differences between sources

issues: Errors in EE

b. 17-19

composition: (Op. 4), Sonata in C minor, Mvt II

No fingering in A (→GE→FE,IE)

Fingering in EE
..

In the main text we do not include the inauthentic fingering added by EE.

category imprint: Differences between sources

issues: EE revisions