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b. 3
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composition: (Op. 4), Sonata in C minor, Mvt II
category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 3
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composition: (Op. 4), Sonata in C minor, Mvt II
category imprint: Differences between sources issues: Errors in GE |
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b. 5-6
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composition: (Op. 4), Sonata in C minor, Mvt II
..
In A Chopin wrote accidentals only to the octaves' top notes. In addition, in bar 6 he omitted the category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 6-16
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the sources, at the beginning of bar 6, there is a double bar line provided with category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: EE revisions , Errors in EE , Abbreviated notation of A , FE revisions |
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b. 7
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composition: (Op. 4), Sonata in C minor, Mvt II
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The omission of both category imprint: Differences between sources issues: EE revisions , Errors in EE |
to the topmost note of the 1st chord (a1). The patent inaccuracies were corrected in 
marks, indicating the place from which the first period of the Minuet should be repeated after bar 37. Chopin did not write bars 38-48 but wrote Dal Segno al Fine at the end of bar 37, directing us to bars 6-16. We reproduce this shorthand notation only in the graphic transcription (the version "transcript").
in 
in 