b. 3
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composition: (Op. 4), Sonata in C minor, Mvt II
category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 3
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composition: (Op. 4), Sonata in C minor, Mvt II
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In FE the length of the hairpin was probably adjusted to the slur. However, the notation of A and of the remaining sources does not suggest this kind of relation. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 3
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composition: (Op. 4), Sonata in C minor, Mvt II
category imprint: Differences between sources issues: Errors in GE |
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b. 5-6
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composition: (Op. 4), Sonata in C minor, Mvt II
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In A Chopin wrote accidentals only to the octaves' top notes. In addition, in bar 6 he omitted the to the topmost note of the 1st chord (a1). The patent inaccuracies were corrected in GE (→FE,EE,IE). The same applies to bars 37-38. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 6-16
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composition: (Op. 4), Sonata in C minor, Mvt II
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In the sources, at the beginning of bar 6, there is a double bar line provided with marks, indicating the place from which the first period of the Minuet should be repeated after bar 37. Chopin did not write bars 38-48 but wrote Dal Segno al Fine at the end of bar 37, directing us to bars 6-16. We reproduce this shorthand notation only in the graphic transcription (the version "transcript"). category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: EE revisions , Errors in EE , Abbreviated notation of A , FE revisions |