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Source: 
p. 3, b. 43-62
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-62
p. 4, b. 63-81
p. 5, b. 82-103
p. 6, b. 104-124
p. 7, b. 125-142
p. 8, b. 143-162
p. 9, b. 163-183
p. 10, b. 184-206
p. 11, b. 207-227
p. 12, b. 228-248
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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A - Autograph
GE - German edition
GE1 - First German edition
FE - French edition
FE1 - First French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
IE - Italian edition
IE1 - First Italian edition
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  b. 60

 in A, contextual interpretation

No ornament in GE (→FE,EE,IE)

() suggested by the editors

The poorly visible mark written in A over the c3 quaver is most probably a , which is indicated by the comparison with the respective place in the recapitulation (bar 220 as well as 222). In GE (→FE,EE,IE) the indication was omitted, probably considering it a small crossing-out. This version cannot be entirely excluded, taking into account the absence of the mark in analogous bar 62 – perhaps Chopin decided to keep the ornaments to diversify the recapitulation.
In the main text we include the ornament in a variant form (in brackets) while adding a  specifying the sound of the top note of the trill as d3, which is more natural in this context – omitting such accidentals over trills or mordents is a rule rather than exception in Chopin's notation.
See also bar 62.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Errors in GE, Omission of current key accidentals, Inaccuracies in A

notation: Ornaments

Missing markers on sources: A, GE1, FE1, IE1, EE1, EE2