



Ornaments
b. 60
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composition: (Op. 4), Sonata in C minor, Mvt I
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The poorly visible mark written in A over the c3 quaver is most probably a category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Errors in GE , Omission of current key accidentals , Inaccuracies in A |
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b. 62
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composition: (Op. 4), Sonata in C minor, Mvt I
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In the main text we suggest adding an ornament [ category imprint: Editorial revisions |
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b. 90
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composition: (Op. 4), Sonata in C minor, Mvt I
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This four-quaver motif, which opens the Sonata, appears in the entire movement 10 more times (bars 1-2, 5, 7, 92, 94, 179-180, 183 and 185), always accompanied by category imprint: Editorial revisions issues: Errors of A |
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b. 198
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composition: (Op. 4), Sonata in C minor, Mvt I
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The comparison with the analogous figures in bar 20 and 34 points to a highly likely oversight of the grace note before the last chord (by Chopin). category imprint: Editorial revisions issues: Errors of A |
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b. 202
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composition: (Op. 4), Sonata in C minor, Mvt I
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In A the arpeggio wavy line is written on the right of the chord, which, according to us, does not influence the meaning of this mark. We reproduce this notation only in the graphic transcription (version "transcript"). The editions placed the mark in its regular position, before the chord. This kind of notation is to be occasionally found in other pieces by Chopin, e.g. in the Polonaise in C minor, Op. 40 No. 2, bar 52. Similarly, in bar 215, as well as in IV mov. of the Sonata, bar 6. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in A |