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b. 107
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In A there is no accidental before the last L.H. crotchet. The patent inaccuracy was corrected in GE (→FE,EE,IE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 107-108
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we add cautionary accidentals in the R.H. part: a category imprint: Editorial revisions |
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b. 108
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composition: (Op. 4), Sonata in C minor, Mvt I
..
When interpreted literally, in EE the semibreve at the beginning of the bar is a c1. It is a mistake by the engraver, who wrote a ledger line across a note put at the right pitch. In the content transcription we consider this note to be a c category imprint: Interpretations within context; Differences between sources issues: Errors in EE , Errors repeated in EE |
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b. 108
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composition: (Op. 4), Sonata in C minor, Mvt I
..
The EE version is almost certainly a typical Terzverschreibung error. category imprint: Differences between sources issues: Errors in EE , Terzverschreibung error |
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b. 108
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composition: (Op. 4), Sonata in C minor, Mvt I
..
In the main text we keep the A notation, often used by Chopin in his mature works, where he forgoes polyphonic accuracy for the sake of simplicity of notation. The GE notation proves a revision performed in print – quavers with stems pointing downwards were added to the already printed text, compliant with A, in order to rhythmically fill the bottom voice. This illogical notation was changed in all the remaining editions based on GE. category imprint: Differences between sources issues: EE revisions , GE revisions , FE revisions |
to e
1 in bar 107 and a 
to d1 in bar 108. 
